BIO

The work of London-based artist Rana Begum distils spatial and visual experience into ordered form. Through her refined language of Minimalist abstraction, Begum blurs the boundaries between sculpture, painting and architecture. Her visual language draws from the urban landscape as well as geometric patterns from traditional Islamic art and architecture. Light is fundamental to her process. Begum’s works absorb and reflect varied densities of light to produce an experience for the viewer that is both temporal and sensorial.

Born in Bangladesh in 1977, Rana Begum lives and works in London. In 1999, Begum graduated with a BA in Fine Art from Chelsea College of Art and Design, and in 2002 gained an MFA in Painting from Slade School of Fine Art.

EDUCATION

  • 2002  Slade School of Fine Art, London.

               MFA in Painting

  • 1999   Chelsea College of Art and Design, London.

               BA (Hons) Fine Art Degree (Painting)

  • 1996  University of Hertfordshire, Hatfield, Hertfordshire.

               BTEC Diploma in Foundation Studies in Art and Design.

SOLO EXHIBITIONS​​

  • 2023 Ordered Form, St Alban’s Museum. Curated by Inna Allen

    Dappled Light, The Box, Plymouth. Curated by Sarah Shalgosky

  • 2022   Solo Show, Reflection on Colour and Form, Cristea Roberts Gallery,  London

    Dappled Light, curated by Cliff Lawson, Pitzhanger Gallery and Manor

    Dappled Light, curated by Cliff Lawson, Mead Gallery, Warwick

  • 2021  Infinite Geometry, Wanas Konst, Sweden

    Solo show, Kate MacGarry, London

  • 2019  Solo show, Jhaveri Contemporary, Mumbai

    Perception and Reflection, Third Line Gallery, Dubai​

  • 2018  Solo show, Christian Lethert, Cologne

    Space Light Color, Djanogly Art Gallery, University of Nottingham

    Conversation with Light and Colour, Gallery 10, TATE St Ives

  • 2017  Space, Light, Colour Sainsbury Centre for Visual Arts, Norwich                   

  • 2016  The Space Between, Parasol Unit, London​

  • 2015  Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai

    Gallery Three Touchstone, Rochdale

    Future Light, Vienna Biennale 2015: Ideas for Change, MAK - Museum of  Applied Arts, Vienna, Austria

    Linear Abstraction, Gutstein Gallery, SCAD, Savannah, USA​

  • 2014  Solo Show Galeri Mana, Istanbul

    Dhaka Art Summit, Jhaveri Contemporary, Bangladesh

  • 2013  No.10, The Third Line, Dubai

    Manifold, Galerie Christian Lethert, Cologne

  • 2012  Solo show, Bischoff/Weiss, London

  • 2011  The Folded Page, Jhaveri Contemporary, Mumbai

  • 2010  Fractured Symmetry, Bischoff/Weiss, London

    Solo show, Delfina Foundation, London

  • 2009  The Moment of Alignment, The Third Line, Dubai                 

  • 2008  Transient Symmetry, VineSpace, London

  • 2007  Colour Codes, The Third Line, Dubai

GROUP EXHIBITIONS

  • 2023  Life is More Important Than Art, Whitechapel Gallery, London

    Desert X 2023, Desert X Bienniel, Coachella Valley, USA​

    Dhaka Art Summit 2023, DAS, Bangladesh​

  • 2022  Urban Impressions, Moody Centre for the Arts, Houston

    Zim-Zum: The Folding World, Patrick Heide Contemporary Arts, London​

    Uncombed, Unforeseen, Unconstrained, Parasol Unit, Venice

  • 2021  Rhythm & Geometry, SVAC, Norwich

    Breaking the Mould, Longside Gallery, Yorkshire Sculpture Park​

    Shapes, Alexander Berggruen, NY

    Folkstone Triennial, Folkstone Trennial, Folkstone

  • 2020 ​ Hard Painting x2, Phoenix Art Space, Brighton

    Guests: Artists and Craftspeople, Istanbul Modern, Istanbul

    Seismic Moverments, Dhaka Art Summit, Bangladesh 

    Eccentric Objects, CFhill Gallery, Stockholm

  • 2019  Guests: Artists and Craftspeople, Istanbul Modern, Istanbul

    ​​​Is This Tomorrow? Whitechapel Gallery + Alserkal Arts Foundation, Dubai

    The of Colour Cristea Roberts Gallery, London

    Is This Tomorrow? Whitechapel Gallery, London​

  • 2018  Frieze Sculpture Park, London

    Heavy Metal: Women to Watch, NMWA, Washington

    RA Summer Show, London

    Actions, Kettle’s Yard, Cambridge

    Fold, Marta Herford, Germany

  • 2017  Metal: Women to Watch, curated Caroline Douglas, Philips, London

    Occasional Geometries, Yorkshire Sculpture Park

    Things that Soak You, Kate MacGarry, London

    31 Women, Bresslittle, London

    The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham​

  • 2016  Tribute to Sol LeWitt, Gemeente Museum, Den Haag

    11th Gwangju Biennale, Curated by Maria Lind, Korea

    Cause the Grass Don’t Grow and the Sky Ain’t Blue, Praz Delavallade

    Flatland/Narrative Abstractions, MRAC, Serignan

    New Visions, Curated by Maria Lind, Tensta Konsthall, Stockholm

    Into Boundless Space I Leap, Kettle's Yard / Maxwell Centre, Cambridge

  • 2015  The Shapes We’re In, London

    Triplicity, Athr, Jeddah

    Future Light, Museum Angewandte Kunst, Vienna

    Geometries of Difference, Dorsky Museum, New York

    Linear Abstraction, Gutstein Gallery, SCAD, Savanah

    The Great Festival of Creativity, Long Museum, Shanghai

    Working Space, KNMA, Delhi 

  • 2014  Ethereal, curated by Amin Jaffer, Leila Heller Gallery, New York

    The Language of Human Consciousness, Athr Gallery, Jeddah

  • 2013  The Edge of Painting, The Piper Gallery, London

    Empty Line, curated by Nabila Mokrani, Galerie Bertrand Grimont, Paris​

  • 2012  RA Summer show, London

  • 2011  The Art and Math of the Fold, Ft-Contemporary, Berlin

    The New Middle East, Willem Baars, Amsterdam

    Common Logic, IMT, London

  • 2010  Form & Phenomenon, Project88, Mumbai

    Serendipity City, Future Everything, Manchester

  • 2009  How Nations are Made, Cartwright Hall and Manor House, Bradford

    Pattern Recognition, The City Gallery, Leicester

    Lines of Control, Green Cardamom, London. Catalogue

    Identity, Aisho Miura Arts, Tokyo. Catalogue

    Neither Here, Nor There, Various City Locations- Billboards

  • 2008  Contact, Bricklane, Work No. 951, London. Catalogue

    Monologue/Dialogue Part II, Bischoff/Weiss, London

  • 2007  Repetition and Sequence, Jerwood Space, London. Catalogue

    Sequence and Repetition, Beldam Gallery, Uxbridge. Catalogue

  • 2006  Monologue/Dialogue, BU Gallery, Bangkok. Catalogue 

  • 2005  Art:21 Power /Memory/Structures/Play, Art Museum of Western Virginia

    Ad Infinitum: The Aesthetics of Repetition II, Haines Gallery, San Francisco                         

    Colour My World, Riflemaker, London​

  • 2004  Upstarts, Haines Gallery, San Francisco

    2x2, Dahl Gallery, Luzern

AWARDS/ COMMISSION/ RESIDENCIES  

  • 2023  No.1138 Net, New York University

  • 2022  No.1104 Catching Colour, The Line, London

  • 2021  No.1088 Cleveland Clinic, London

    No.1066 Brick, Wanas Konst, Sweden 

  • 2020  No.1054 Arpeggio, Folkstone Triennial, Folkstone

  • 2019  Guests: Artists and Craftspeople, Istanbul Modern, Istanbul

  • 2018  Bella Artes Project, Manila, Philippines

  • 2017  No.724 Reflectors, Westgate, Oxford

  • 2016  No.688, Cleveland Clinic, Ohio

    No.700 Refelctors, Kings Cross

  • 2015  No.510, HLC, Kiran Nadar, Delhi

  • 2014  LSM, Washington DC

  • 2013  Surbiton Health Centre Public Art Commission, London

    Hualien Cinema, public art commission, Taiwan​

  • 2012  Jack Goldhill Award for Sculpture, Royal Academy of Arts, London

  • 2011  Marcol House public art commission, London

  • 2009  Two months residency in Beirut through Delfina Foundation

  • 2006  British Council Residency in Bangkok​

  • 2007  Nominated for the Paul Hamlyn Foundation Award

  • 2005  Lewisham Hospital Commission

    Coventry Hospital Commission in collaboration with Tess Jaray

    Artist in Residence at West Dean College, West Sussex

  • 2000  Arts and Humanities Research Board award for postgraduate study

SELECTED REVIEWS AND ARTICLES

  • 2019  The Art Newspaper, Number 313, June 2019 

  • 2018  Elle India, June 6, 2018 Between The Lines

    The Telegraph, July 4, 2018

    Arab News, May 31, 2018

    Harpers Bazaar, July 9, 2018

  • 2017  Emel + Aris, 2018 Artist Rana Begum on her life in colour 

    New York Times, March 22, 2017

    Financial Times, March 17, 2017

    Ocula, March 2017

  • 2016  Wallpaper* Magazine, July 2016

    This is tomorrow, August 2016

    ArtAsiaPacific, Review by Cleo Roberts, July 2016

    Harpers Bazaar, July 2016

    AD Magazine, November-December 2016

  • 2015   Artsy Editorial Oct 27th, 25 Must-See Shows This November

    The Metropolist, Artist’s Portrait, by Rachel Holmes

    Bazaar, Issue #200, Interview by Deepa Pant

    Saturation Point, Interview by Patrick Morrisey

    Verve Magazine, India, Framed, Text by Huzan Tata

  • 2014  Art Form, Issue 1

    Financial Times, The Dhaka Art Summit Rachel Spence

  • 2013  Surface Magazine, Marina Cashdan, Issue 101Time Out, Dubai

    ArtAsiaPacific, Kevin Jones Issue 85

    Ala Chamfest, Magazine No.6

  • 2012  Platform- creative lifestyle Jan/Feb

  • 2011  Mid-Day, Shape shifters invade city by Soma Das, Mumbai

    Wallpaper, Colour Scheme by Deepanjana Pal

    Vogue India, Shape Shifter by Deepanjana Pal

  • 2010  Time Out, India. Block Game by Zeenat Nagree

    Art Asia Pacific by Hanea Ko

  • Time Out, London. In the studio by Helen Sumpter   

  • 2009  Modern Painters, Back to Black by Jyoti Dhar

    What’s On, Dubai, The line of beauty by Catherine Jarvie

    Gulf News, Dubai newspaper, Lines of enchantment, Jyoti Kalsi

    Time Out, Dubai, Solid Geometry by Chris Lord

    The National, Dubai newspaper, Patterns of work by Ed Lake

  • 2008  Financial Times, Abstraction Rules OK by Jan Dalley   

  • 2007  Vogue UK, October issue, The alchemists by Louisa Buck

    Lofficial Middle East, Colour Codes

    OK, Dubai, Colour Codes

    City Times, Dubai, Colour Codes

    Gulf News, Dubai. Colour Codes

    Time Out, Dubai, Issue 36, Colour Codes

    Harper’s Bazaar, Dubai, Sep. 2007, Colour Codes​

  • 2006  The Nation Newspaper, Bangkok, Monologue/Dialogue.